Author Topic: SMASH Presents "Lost In The Ether" An Andrew Kidman Film, with "Free Aloha", by Alex DePhillipo  (Read 394 times)

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Offline Seppo1

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SMASH (Surf / Movies / Art / Shaping / History) presents the NY Premiere of  "Lost in the Ether", a film by Andrew Kidman on Wednesday, February 15th, 8PM at Anthology Film Archives. "Lost in the Ether" is Andrew Kidman's fifth film and follows on from the exploration of surfboard design process that he began in "Glass Love". The main point of difference being that in this new film he focusses on particular designs, the shapers who create them, and the process they undertake.  The film is Andrew's  self-propelled quest to better understand surfboard design and it’s evolution.

Featuring: Dave Parmenter, Michael "MP" Peterson, Wayne Lynch, Michael Mackie, Sage Joske, Simon Anderson, Terry Fitzgerald and more...

Along with "Lost in the Ether" is Alex DePhillipo's latest short film "Free Aloha", a beautiful cinematic overview of the 2011/12 North Short winter.

Snacks and beverages provided by Barefoot Wine, Kind Healthy Snacks and VitaCoco.

Lost in the Ether will premiere in New York, Wednesday, February 15th, 7:30pm

Location: Anthology Film Archives 32 Second Avenue New York, NY 10003 On the corner of East 2nd Street & 2nd Ave.

Supported by Barefoot Wine, KIND Healthy Snacks, and VitaCoco.



Tickets are now on sale at: http://lost-in-the-ether.eventbrite.com

More info go to www.smashsurf.com


Lost in the Ether


Online SeaCliff

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Awesome - see you there!


I'll link this up on our global homepage as well...
Meet me in the Land of Hope and Dreams.

Online SeaCliff

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Meet me in the Land of Hope and Dreams.

Offline Seppo1

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Kidman Interview excerpt...

"To me I’ve always found shaping fascinating because basically whatever you do to that surfboard while you’re shaping it, will affect the way it goes in the water."

Ether is primarily a photo book, is photography your preferred medium?

I work in a lot of different mediums but photography for me is a way of documenting things. I don’t really have a preferred medium. I’m not ever trying to go after any look or anything. For me in a way its all expression, so for me its picking the best medium to convey what you’re trying to get across and sometimes the only way you can get it across is through photography.

It’s either nature, and the beauty of what nature is. Or it’s somebody doing something. The photos often explain a process. If you look at someone shaping a surfboard, a photo is basically a documentation of what it is. And that’s all I’ve ever done with photography, is to try and show exactly what’s going on. If you look at some of the empty waves in the book. There have been times when I’ve seen something in the ocean that I’ve wanted to try to show through photography. So I’ll swim out and try and get the same feeling I get when I’m surfing. And again, you’re just trying to express what the ocean is doing.

There is a lot of focus on shapers. How much does the craft of surfboard building figure into the artistic expression of surfing?

That’s the whole thing really. Without the surfboard you can’t really do it. You can body surf, which is fun too, but the surfboard is the vehicle that allows to ride the waves, which then becomes an extension again, of what you want to express artistically, or whatever you want to call it.

To me I’ve always found shaping fascinating because basically whatever you do to that surfboard while you’re shaping it, will affect the way it goes in the water. There is an infinite combination of things that you can do to that surfboard that will make it go different. And that’s fascinating, its like an endless journey of fun really.

I’ve always been drawn to it, I mean I’ve shaped since I was a little kid, so I’ve always been drawn to that, so I’ve always hung around surfboard shapers, and that’s sort of what you’re seeing in the book; photographs of surfboard shapers. People like Simon Anderson, you know I grew up with those guys, so I was always hanging around.

So that dictated the subject matter?

Absolutely, that’s all it is. I’ve never looked at photography as a way to make a living. I don’t chase photos to try and make money out of them. All I’ve ever tried to do, is that if I’ve found things interesting, I’ve tried to document them. Writing is something more that I’ve used to make a living out of, and sometimes I took photos to try and help illustrate the writing. But generally the photography is more of a personal thing, and that’s what you’re seeing in the book is personal insights into peoples lives because you become comfortable with them because they are your friends. I mean I know I feel uncomfortable when someone I don’t know points a camera at me. But if you know them they feel comfortable and they know what you’re doing.

You’ve used photography and writing to fund your travels. Is surf journalism important to you, or is it just a means to an end?

Well it’s really important. I’ve always tried to do articles that I find interesting. I mean I don’t chase that. If there is something that I find interesting or really important that I feel needs to be documented I try to do it. For instance I have a couple shapers that I’m doing stuff with at the moment and I’ve been working with them for almost three years, just for one article. So that’s not making the money to keep me going. I don’t just want to do bullshit articles and just fluff it out.

I’ve been fortunate, because I’ve made a few films and stuff like that and all these little things bring in little bits of money for me. So I’m fortunate enough to make a living from everything that I do.



Offline VapourTrails

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...and Joseph "Clams" Falcone w/F.M. Boros!

Offline ArchyShreddocks

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Anybody go tonight?- found the flick to be quite entertaining with a very humanistic look into the art of shaping boards/craft, and the endless pursuit of "perfecting" them. Good visuals to boot.

Online elephant

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i enjoyed the movie tons.  learned a thing or two also.

surprised there were not more folks there, i thought it would be a sold out crowd.
the best surfer is the one having the most fun

Offline Kyle

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It was on the calendar and then was run over. Really wanted to. I hope it shows up on the surf network...

Offline Seppo1

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Thank you all who made it out. Epic time. Good crew. The film was incredible. How was the shot of Clams in the film shaping in the snow? So good.
Watching that film just reminds you what it's all about and how the surf industry is a crock of BS.
The rumor is  Warner Bros and Alby Falzon have commissioned Kidman to work on Morning of the Earth 2!

Offline Harry Balzsac

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Great show. Thanks Adam, Mike and Tyler, for doing what you do. Showing films like this one, even to a relatively small audience, is really important. Also, how cool to see Clams hacking away in the casino through a snowy lens?
 
If you have any interest at all in the lasting value of sufer/shaper innovation, do yourself a favor and get a copy. With this film, Kidman is elevating and protecting the essence of what makes surfing unique. Films like this one keep me in love with it, despite the fact that all the brown trout we've hung on surfing are starting to make it seem like a tired, old whore.
 
 

 

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